The Smithsonian National Museum Of African American History And Culture – We design buildings that mean something. Do something urgent. It is not empty buildings that look attractive. They are built to last, thrive and make an impact. The National Museum of African American History and Culture is a prime example of this work. Inside the museum is a culture that ultimately represents what it is: the people who built this country, and continue to build it, despite the challenges they have faced and continue to face. continues
The National Museum of African American History and Culture (NMAAHC) is more than a building. It’s a first-hand look at the cultural experiences, objects, and creations that have been the backbone of American society for generations.
The Smithsonian National Museum Of African American History And Culture
The newest and most impressive addition to the National Mall since the National Museum of the American Indian, the NMAAHC is located between the National Museum of American History and the Washington Monument on the grounds of the Washington Monument, a stark but refreshing departure from DC architecture. is . . Its location represents an important part of American history that was long overlooked but is now finally being recognized and appreciated.
The Significance Of The New National Museum Of African American History & Culture
As a key member of the Freelon design team, Adjaye Bond knew upon entering the project that the interior collection would represent more than just the building. We worked together to design a building that reflected through the materials and modeled the cultural values and characteristics expressed in the interior. For example, the shape of the building is a crown, a Yoruba carinated column design, a traditional West African carved column form. The screen that covers the building is made up of 3,600 copper-colored panels and references to African American ironwork around the many southern balconies and verandas. The building also has a front porch, which has historically been a place of welcome and cooperation in the African American community.
It is a sensitive and powerful project and an example of all that community building should be. The design statement is clear. It is amazing to walk between the buildings, creating these moments in our history.
As with any construction project to be built on the National Mall, a thorough process of review and input from the public and government is required. Buildings that have become cultural centers are vulnerable to scrutiny, as people invest a lot of money when their histories and cultures are displayed for the world to see. The design team is so diverse that they have collectively been able to deliver a dynamic vision that has won the hearts of all stakeholders.
Completed in 2016, the National Museum of African American History and Culture is transforming the role of public institutions, presenting history in a way that creates hope for the future. As director Lonnie Bunch says, “[It’s] not just a black museum, but a museum to help people of one culture understand the experiences of people of another culture.”
Inside The New National Museum Of African American History And Culture
In today’s world, the desire to learn about others and their backgrounds is vital, and NMAAHC paves the way for greater empathy, understanding and greater progress while “reflecting the diversity of our nation.”
The National Museum of African American History and Culture opened on September 24 on the National Mall. (Photo courtesy of the National Museum of African American History and Culture by Ellen Kirchmer)
When the National Museum of African American History and Culture opened last month, thousands of people gathered on the National Mall for an emotional tribute. The museum has been under construction for about 13 years. Now it is finally finished, and it holds powerful stories of the black experience important to American history and culture.
But it’s not just the stories told inside the museum that inspire. Its location on the National Mall is symbolic. Professor Lisa Benton-Short, author of the recent book, “The National Mall: No Common Place for Government,” spoke with George Washington Today about why the museum’s place in our nation’s capital is so important.
National Museum Of African American History And Culture
Q: You published your book The National Mall: No Ordinary Public Space this year. What can you tell us about the newest addition to the National Mall: the National Museum of African American History and Culture?
A: The grand opening of the National Museum of African American History and Culture is an important moment. Inside the new 400,000-square-foot museum, nearly 3,500 artifacts are displayed that share facts about America’s past and tell stories about 400 years of black life in America. A new museum allows Americans to walk from slavery to civil rights to today’s Black Lives Matter movement.
Question: How does the museum’s location on the National Mall, known as “America’s Front Yard,” broaden our view of history and identity in the United States?
A: As much as we will learn and experience something inside a museum, its presence in the mall makes all the difference. It’s all about location, location, location. The mall is the platform of our democracy, the place where we tell our national story. Being “in the goods” makes a powerful statement about shared identity, belonging, and recognition. Gives national rights. The new museum corrects an apparent bias on the Mall toward a narrow definition of national history and national memory that has largely ignored some. Its presence on the mall contributes to a larger narrative of the country’s history and national identity. Visitors to the mall now see a place that more closely reflects the diversity and national experience of our country.
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The National Museum of African American History and Culture and the recently completed MLK Memorial, completed in 2014, are more than just buildings or statues. They represent the dream of equality and justice and a fully inclusive democracy. This recent addition to the mall reminds us of the power of public spaces to tell America’s full story.
Q: The building’s lead architect, David Adjaye, recently discussed the museum’s design with The New York Times. What does the overall aesthetic and physical appearance of the museum add to the mall?
Answer: The building itself is definitely different: with its copper mesh the ziggurat looks up to the sky and the light. It looks very different from the Mall, which has always been dominated by white stone and neoclassical architecture. The new museum highlights its broader mission, telling the complex and diverse story of how African Americans contributed to the creation of America. For example, the bronze mesh cover reflects the skills of African-American metalworkers. Once you understand this, you realize that the shape and look of the building is perfect for the mall. This new museum, like the National Museum of the American Indian (also on the Mall), brings a new aesthetic that reflects unique cultural contributions to American history in both our culture and our environment. Like eighteenth-century slaves, they have long been important threads in the country’s tapestry, intertwined with history, culture, economics and politics. Smithsonian National Museum of African American History and Culture (NMAAHC), Washington DC. Founded in September 2016, it aims to honor the symbols, diversity and realities of the African American experience and the long and continuous rise from the hell of slavery to the present day. While the museum is of particular interest to African Americans, it seeks to provide a focal point for the many races and cultures that make up American society, both a symbolic home and an inspiration for the continued construction of a shared future. So it is not just a memorial, but a living museum that explores the painful and inspiring past for the sake of inspiring change in the future.
The Freelon Group, Durham: Philip Freelon; Adjaye Associates, London: David Adjaye; J. Max Bond, Jr., Davis Brody Bond, New York
Museums Of The World: National Museum Of African American History And Culture
Philip Freelon, David Adjaye and J. Designed by Max Bond, Jr., the building is located on the National Mall and boasts the Capitol, the White House, and the Washington Monument. The building, a large block of deep, warm bronze, stands out majestically against the white marble of the city’s neoclassical architecture.
The impressive structure rises from a slender stone base to a capital crowned with decorative brass plates whose design is inspired by 19th-century Yoruba three-tiered crowns and also recalls the typical hairstyles of African women. The building’s exterior, which features a striking bronze lattice exterior—a tribute to the intricate metalwork done by African-American slaves in Louisiana, South Carolina and elsewhere—is interspersed with glass surfaces that let in natural light. allow filtering. Visitors enter the museum through a portal on the south side, which extends the building into the landscape and bridges the gap between inside and outside.
With exhibits spread over seven floors, four below ground level and three above ground level, the way visitors navigate the museum has a powerful feel.
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